本文原作者：Jeff Vogel 译者ciel chen
“我们的游戏叫做Mystik Spiral. 那是一个交互式侵略型独立游戏，主题是墨守成规的企业文化的弊端。在Steam上发行，支持Windows和Mac系统，游戏平台仅支持Xbox One”
在过去几年来，我的两篇文章《Indie Bubble》和《Indie Glut》受到了很多的关注。（甚至为此在GDC上讲话了。）
Quick version of indie gaming history: In 2010 or so, due to a combination of factors (AAA creative stagnation, better development tools, better online stores to sell on), indie games caught on in a big way and made a ton of money. For a short time, getting the Golden Ticket and landing a game on Steam was guaranteed big cash. This was the “Indie Bubble” phase.
People who wanted to write a video game (i.e. everyone) saw this and went, “Hey, I wanna get rich following my dreams too!” There was a big pile-on. MANY indie games became available, more than anyone actually wanted. This was the “Indie Glut” phase.
At last, I can complete the trilogy of articles. Now we can look around and see where we’ve ended up, a phase which I suspect will be permanent. (At least until the Earth gets hit by a large solar flare and we get to start over.)
You can’t deal with this business without grasping its fundamental reality. So it’s worth wallowing in this topic one more time. A proper understanding of reality will help us process a lot of otherwise perplexing issues (like Apple or Steam charging devs to have games on their store, or the ever-present “discoverability problem).
To see where we are, let’s talk about a long-standing rite of passage for young creative types: Starting a band.
I think this would be really funny if I knew anything at all about music. Can someone translate it into a Guitar Hero chart for me? I think it means I have to learn how to play the orange notes.
The Story of Being a Musician
For decades, many young, enthusiastic, creative people have worked through their dreams, energy, and youthful ambition by forming bands.
Why not? It’s takes a fair amount of technical and artistic aptitude to learn an instrument, write songs, get gigs, press a CD, etc., so it’s a good sponge to soak up excess ambition and energy. But it’s not a prohibitive amount of energy, so just about anyone can start a band.
Usually, this band is a reaction against corporate pop culture. “Screw your plastic, AAA, mass-produced, soulless Katy Perry crap! We’re going to create real art.” This is an entirely worthwhile goal, even if it fails 99.999% of the time.
Of course, most bands die. After all, most bands are terrible. Even if they aren’t, people grow older. They lose their energy. Their dreams die. Life intervenes. They get jobs as insurance adjusters or whatever. Their demo CDs get stuck in the attic, forgotten, and then they have kids. Who start their own bands.
Not everyone gives up, though. A tiny handful of bands, through a combination of skill, connections, and luck, become actual successes and make careers out of it. Other musicians make a living as freelancers or working in a business environment (studio musicians, corporate gigs, etc). Others, the damned souls, trapped between a lack of talent and an inability to quit, live long (looooong) lives as failed musicians.
Most quit (or do art as a hobby). This is ok. The world needs plumbers far more than it needs musicians.
But the hard inexorable math of the thing is this: There are far more people who want to make a living as a musician (actor, writer, dancer) then there are paying jobs they can occupy.
There comes a time when you have to face this. Disney movies and La La Land lied to you. There is a point where refusing to give up makes you stop being an admirable young spitfire and start being a cautionary tale.
Anyway, this is the basic cycle of the thing. For the last few decades, younger people with a certain amount of talent, energy, and time could soak all that into starting a band. A few prospered. The rest went on to other things.
The current location on Steam of the New Releases chart. (Artist’s conception.)
You Probably Figured Out Where This Is Going
Getting together with some friends and writing a game is the new Starting a Band. I’m not saying this is going to happen. It already has.
Plenty has been written about the flood of games appearing on Steam. As I write this, 125 in the last week alone. More games than anyone wants, that’s for sure. That’s why Steam has made it very difficult to see all new releases. Let’s be honest. Almost nobody cares to drink from this firehose.
Don’t believe me? Check it out yourself!
It is very instructive to look at these new releases, which is why the site What’s On Steam, which just shows all new releases, is useful. Take a look. New titles appear FAST. Most of them will bomb, and their creators will vanish from the public view forever.
Here’s a fun trick. Write down the most recent 10 Steam games released. Wait a month. Check their sales on SteamSpy. (Bear in mind you need a few sales to appear on SteamSpy at all.) You will see very few games that get any traction. Each of their creators is just another kid who started a band (and there’s nothing wrong with that).
There’s no need anymore to predict the endgame for the video game glut. It’s happened. We’re living it. Bands haven’t gone away. There’s still a billion of them. People making lots of video games won’t go away. There’ll always be a billion of them, offering their hot take of the procedurally generated Roguelike 2-D platformer (now in VR!!!!!).
This is why “Indiepocalypse” is such a useless term. Other fields have exactly the same situation, but nobody talks about the Musicianpocalypse or the Actorpocalypse or the Writerpocalypse. It’s just part of life.
This is the new normal. So, if you are one of the doomed souls who is determined to make a living in this business, you must figure out how to deal with it.
Fun business tip! When you start seeing articles like this, you’ve already missed the boat.
Curation Won’t Make a Difference
Here’s what gets me about the situation. Often, when people talk about the flood of games on Steam, they act like it’s mostly trash and Steam should just curate most of it away.
I wrote a whole article’s worth of stuff in this section, but this post is already stupid long, so I chopped it out to post on its own. I’ll bullet point it for you:
1. Steam doesn’t want to curate. They hate it.
2. Even if they did curate, at least half of the stuff would remain, because it’s good enough. It’d still be a flood.
3. A fee to get on Steam won’t change anything any more than the fee to get on iTunes did. In other words, not at all.
4. Steam and iTunes don’t have a discoverability problem. They and their customers are doing great. Developers are the ones who have the problem. Nyeah.
College Degrees In Game Development
Colleges are, for all practical purposes, businesses. They charge a fee and provide a product (your degree). Like good, practical businessmen, when they saw video games get hot, they jumped forward and generously offered to give you, in return for over $100K USD of post-tax money, a piece of paper that claims you know how to make them.
I’ve written about college video game degrees before. I don’t have much more to add to that, except to say you shouldn’t get one without being realistic about your chances.
You might have a lifelong career in video games. Hey, anything’s possible. But video games are an artistic field. Writing a successful video game is HARD (like becoming a full-time musician), and a huge portion of the field burns out of it before they hit middle age.
Want a degree in video games? Fine. But you may want to approach it like getting a college degree in, say, playing the trombone. You might be one of the ones who makes it, but you’d damned well better have a solid Plan B.
Steam tried to get me to pay full price for an indie game. My face when.
The competition in the vidya gaems biz is going to get even more gruesome. Development is starting to become far more of a global activity. This will mean not only more titles to fight, but more downward price pressure.
The Law of Supply and Demand already tells us that when there is a glut of supply (games) and roughly constant demand, prices will be pushed inexorably downward. (Which explains deep discount Steam sales and Humble Bundle.) I’ve sadly watched indie devs plaintively asking their fellows to join them in trying to keep prices high, only to see those efforts get ground to dust by the inexorable gears of Economics 101.
(Though I would note that if your business model requires Price Fixing to survive, it may be a bit flawed.)
But prices will get even lower, because you will increasingly compete against developers in the third world. Having a hard time competing now? Wait until you’re fighting someone in a country with 1/10 the cost of living of yours. Someone who can charge $1 USD a copy and still make out great.
Yeah. However pessimistic you were feeling about your game’s chances before, it’s even worse than that.
So What Does It Take To Succeed?
A really good game that feels fresh and new and is solid and also manages to, through going viral or really good PR work, get attention. Sometimes bands still get rich. So can you.
You just need to watch for those rare opportunities to make a game that says, “It’s Like [Popular Thing], but [Some Small Change].” in a new way. “It’s like Harvest Moon, but 16-bit.” “It’s like Minecraft, but 2-D.” “It’s like a JRPG, but with bullet hell shooter combat.” “It’s like Huniepop, but more Huniepop.”
There will always be ways to get rich. All you have to do is be brilliant, spot the right opportunity at the right time, have at least a little luck, and then make an amazing product.
This is all getting depressing, so, to cheer you up, I added a picture of an adorable doggo.
My Grim Future
When the Indie Bubble happened, I made a bunch of money. More than I deserved. And then I saved it. I’d been around long enough to see both booms and busts, and I knew you had to save during the former to prepare for the latter.
But the games business for small developers (and if you are an indie developer who didn’t write Minecraft, you are a small developer) is in a bust phase that won’t end. So now I’m asking myself, “How am I, between new games and remastering old ones, going to stretch Spiderweb Software for 20 years and reach retirement.”
It’s scary. I don’t know if I can do it. Our newest game, Avadon 3, didn’t do that well. I think it’s a really good game, and the people who bought it seem to like it. But there are new RPGs coming out on Steam every single workday, some of them are good, and you can only hold off so much competition before being overwhelmed.
Next year, I am going to write an all new game engine and series. I think it’s going to be really neat and different from what I’ve done before, and I’m excited about it. But I’ll tell you this: Its development is going to be LEAN AND MEAN.
I’m using as little custom art and music as I can. (Working title is “Unity Asset Store: The Game.”) Any way I can cut costs and still maintain a constant art style and game quality, I will take it, and I won’t apologize. This market doesn’t allow for blowing money unnecessarily anymore, at least not for me.
If you criticize me for that, feel free. It’s your right. I’ll just think of the developers who, during the Indie Bubble, flush with easy Steam money, made fun of my development style TO MY FACE. Developers who are sadly no longer in business. While I keep plugging along in my humble little bottom feeder way.
My goal is to prove you can live an entire fulfilling career writing indie games. From college to old age, all the way through. I’m over halfway there. But man, the next two decades are looking like a long road.
I’m Done Writing About This
This blog has been focused on the indie business for the last few years, and I’m mostly done with that topic. I believe we are in a stable phase now, so there isn’t much else to say. I think that most gamers don’t actually care. They don’t care about business stuff. They just want to talk about games and how awesome they are.
I write this blog to get attention for myself, because it’s really hard for a small developer to get attention. From here on, I want to write outrageous funny things about games in the hope that I get a little attention and something goes viral and I pick up a handful of customers along the way.
Good luck to everyone in this business. Unless you’re directly competing with me, in which case I wish you luck in some other business.
And if you want to make a living in games and need some advice, here it is: Write a VR game. It’s TOTALLY going to be the NEXT BIG THING and not a faddish washout AT ALL.（source：gamasutra.com）