现在让我们删除一个不玩游戏的假定原因。Eric Hanuise（来自Flatlined Games）说过：“我常常会遇到一些游戏设计师表示，为了不让其它游戏影响到自己的设计，他们从不会去玩其他人的游戏或一些已发行的游戏。”但这纯粹是扯谈。除了担心自己的设计会受到其它游戏的影响外，你还需要知道其它游戏身上发生了些什么。就像我就从来都不担心受到其它设计的影响，因为我认为借鉴是游戏设计的地方病，并且到目前为止我都是将游戏当成一种模式，而不是自己不可能借鉴的机制集合体。但对于缺乏足够经验的人来说却不是如此。
显然我并不是想要与Reiner Knizia进行比较，但是如果有些人认为我没有玩足够多不同游戏，所以我的观点便是无用的，我便会说Reiner Knizia也未玩别人的游戏。我还想说说自己与Reiner的一些其它相似之处。
同样地，当你在理解游戏设计方面到达了一定的阶段（游戏邦注：对于小说家来说也就是小说创作），这时候当你去玩游戏或阅读一本小说，你便能看出它的结构，并因此感受不到它所传递的一些好奇感或乐趣。就像Keira Knightly在12岁左右的时候操控了《The Phantom Menace》中Queen Amidala的侍女，这便会抹去她对于《星球大战》的好奇感。
Pulsipher Game Design
Dr. Lewis Pulsipher
“Play as many games as you can?” Maybe not.
“If you want to quit playing RPGs, start designing them.”
(quote from a GenCon 2012 panelist)
I sometimes see or hear game designers give the advice that is quoted in the title of this piece. I have to disagree. Game designers need to spend their time efficiently, just like anyone else. And playing games (other than their own for testing) is not very efficient, certainly not the most important thing game designers should be doing. Because playing games is *very* different from designing them.
The idea behind the advice is that game designers need to know lots of games. That’s a reasonable point of view. But playing a game is not necessarily the best way to learn about games:
1) Playing games is not, *for some people*, the most efficient way to learn about them.
2) When you reach a certain experience level, you’re not going to learn a lot playing games, *compared to the time it takes*.
3) For most people it’s too easy to play games and not do what you should really be doing, which is designing, testing, and completing games.
Let’s eliminate right now a supposed reason not to play games. Eric Hanuise (Flatlined Games) says “Every now and then I meet a game designer wannabee that proudly states he will not play other games or look at what’s published, in order not to be influenced in his design.” That’s *nuts*. You need to know what is happening with other games more than you need to worry about being influenced by other games. I would never worry about being influenced by other designs because borrowing is endemic in game design, yet insofar as I make games as models rather than collections of mechanics I’m unlikely to borrow as much as mechanics-constructors might be. But that might not be true for someone with a lot less experience.
Now let’s go through the three reasons I’ve stated above, in greater detail.
There are many ways to learn about new games, and playing games is not always the most efficient way. In fact it’s often quite inefficient. If you rely only on playing the game you need to play several times to really understand what’s going on. (This is why writers of formal detailed game reviews should have played the game several times.) Some people (myself included) can learn more efficiently by reading about games, reading game rules, watching people play games, and *talking with people who have played the game several times*. That is, not everyone has to actually play a game to understand it.
On the other hand, I’ve seen many people play a game once and thoroughly misunderstand it.
The oft-expressed presumption that the only way, and presumably the most effective way, to learn about a game is to play it, is simply ignorant or self-centered (take your pick). It depends on the person, on the situation, perhaps even on the game. There also tends to be a presumption in some people that if you don’t play a lot of games, you’re not learning anything about games, which is clearly NOT true.
I almost never play a published game (including mine), period. Also, by watching and talking with players I can learn about a game that I would obviously dislike strongly (and I am *very* picky). I cannot recall ever having the experience of playing a board game that I was pretty sure I would dislike, only to find out I liked it. Maybe that’s something that comes with age. A senior citizen (me) has a lot more experience playing games than a 25-year-old, and so may be able to understand a game better without playing it.
The more time I spend playing someone else’s games, the less time I have to devote to my own (which must be played solo several times, if nothing else). I don’t even play my own published games *as they were published*. On the other hand I’ve played Britannia in several versions more than twenty times solo this year, but that is in aid of making and testing rules for the new editions.
I don’t mean to compare myself with him, obviously, but when some presumptuous dude decides that my views must be useless because I don’t actually play a lot of different games, I point out that Reiner Knizia doesn’t play other people’s games. (If you’re interested in tabletop games and don’t know who Reiner (as he likes to be called) is, you need to read more and get out more.) I hasten to add that there are few other resemblances between me and Reiner.
Perhaps a comparison to another field will help. Many people like history but learn in different ways. I was educated as a professional historian, and if I want to learn history I’ll read a book (or, these days, something shorter depending on the level of detail I need). Some people learn history by watching the History Channel, which I very rarely watch. That’s partly just how habits have been established and partly because the History Channel can go overboard in dramatizing history to the point that you don’t know what’s true and what’s not. It’s “Hollywood history.” Some people like to learn history by playing historical games. Now I like to teach history through games, but I certainly don’t learn history that way, for me it’s not efficient. I can learn a lot more in less time by reading a book.
But I don’t tell everyone that if they don’t read history books they can’t know anything about history, no more than I would tell someone if they don’t play lots of games they can’t know anything about games. There are different ways to learn, of different efficiency for different people.
Let me repeat, I’m *not* saying you don’t need to *know* a lot of games, I’m saying you don’t necessarily need to *play* a lot of games. Because *one of the biggest barriers to productivity in the game industry is game playing.* If you want to be *productive* as a designer you can’t play too many games, because you won’t have time to do the design. (Caveat: if you’re playing your own game prototypes then that’s another thing entirely, because that ought to be productive.) Playing games is not very productive, or perhaps I should say, the Law of Diminishing Marginal Returns kicks in when you play other’s games, and you need to work on your own games rather than play more of others. I have a friend who has designed quite a few published games, but he would have published a lot more if he didn’t enjoy playing games so much.
To make a comparison with a related industry, I think you’d find that many full-time novelists don’t have much time to read novels, because they’re writing novels.
Also, when you get to a certain stage in understanding game design (or, for those novelists, fiction writing), when you play a game or read a novel you see how it’s constructed, and it takes away some of the sense of wonder and the enjoyment that brings. Kind of like when Keira Knightly at age 12 or so played Queen Amidala’s handmaid in The Phantom Menace: being part of the production took away her sense of wonder of Star Wars.
Just as a professional game designer shouldn’t be designing games for himself – unless he *knows* he is typical of his target audience – he shouldn’t be designing games that are just like some other game. The two sometimes go together, the designer likes a particular game so much that he tends to design games just like it. On the other hand, I have had several favorite games over the course of the past 40 years, the biggest one Dungeons & Dragons (first edition). I have never designed a role-playing game that would take the place of Dungeons & Dragons, instead I design additions and modifications to D&D. In other words, I haven’t tried to design an RPG for me, I’ve modified my favorite game instead.
Yes, an awful lot of games submitted to game companies are very, very much like existing games, and those aren’t likely to get very far, although there are exceptions (usually self-published). But in those cases the designer has consciously modeled his game on another one. It is also possible to design a game that turns out to be much like a game designed independently by someone else – this has even happened to Knizia – though it’s not likely.
I’m not discouraging you from playing games, as long as you enjoy it, *unless* it is a detriment to, an excuse not to work on, designing your own games. (If you’re only designing one game, you’re far out of step with most professional designers, who work on many games each year.) If you like to play lots of published games, go ahead. But recognize that you’re not using your time efficiently, and may be unconsciously avoiding what you ought to be doing, if you want to be a game designer. What you need to be doing is *designing and completing games*, not playing published games.(source:blogspot)