游戏设计和经济拥有一个劣迹斑斑的历史。设计出同时具有乐趣和功能的经济并不是件轻松的任务，很多设计在接触到玩家时往往会产生适得其反的效果。举个例子来说，《网络创世纪》在一开始便因为游戏混乱的经济而落下不好的名声。Zachary Booth Simpson在1999年写了一篇有关这款游戏的分析，并详细描述了游戏在发行时可能会经历的显著问题：
也许更合适的经济动态的使用是作为游戏内部的透明机制。桌面游戏世界提供了这些自由市场机制的优秀例子。德式游戏《Puerto Rico》和《Vinci》都使用了提高价格的方法去提高不受欢迎的角色和技术的吸引力。《Puerto Rico》甚至为了让玩家选择工匠这个角色而决定赋予玩家特定的“奖励”，即给予他们1个金币。随着金币数量的逐渐增加，越来越多玩家难以抗拒这种诱惑，如此便确保了所有角色的选择能够趋于平等化。
同样地，一些现代策略游戏（包括《Sins of the Solar Empire》和《帝国时代》系列）也包含了这些自由市场机制，即玩家可以购买并销售资源，并以自己的行动去影响着整体的价格。这些市场是一种有趣的“贪婪测试”，即玩家通常会在需要现金时卖掉资源，或者在缺少特定资源时花钱购买，但他们也知道，自己每次在市场上的交易都会带给其它玩家相对的优势。就像你在《帝国时代》中购买过多树木的话，对手也会因为卖掉多余的产品而赚得金币。
The trials and tribulations of balancing your in-game economy
By Soren Johnson
Game design and economics have a spotty history. Designing a simultaneously fun and functional economy is no easy task, as many design assumptions tend to backfire when they come in contact with the player. For example, the early days of Ultima Online were infamous for the game’s wild and chaotic economy. Zachary Booth Simpson wrote a classic analysis of UO in 1999, detailing some of the more notable problems experienced at launch:
The crafting system encouraged massive over-production by rewarding players for each item produced.
Over-production led to hyper-inflation as NPC shopkeepers printed money on demand to buy the worthless items.
Players used vendors as unlimited safety deposit boxes by setting the prices for their own goods far above market value.
Item hoarding by players forced the team to abandon the closed-loop economy as the world began to empty out of goods.
Player cartels (including one from a rival game company!) cornered the market on magical Reagents, preventing average users from casting spells.
MMO economies have come a long way since then; World of Warcraft’s auction house is now a vibrant part of the game’s economy and overall world, with many players spending much of their time “playing the market” to good effect. CCP, developer of EVE Online, even hired an academic economist to analyze the flow of resources and the fluctuation of prices within Eve’s game world. Indeed, understanding the potential effect of market forces on gameplay is an important ability for designers to develop.
Can the market balance the game?
Many designers have used economic game mechanics as a tool for balancing their games. For example, in Rise of Nations, every time a unit — such as a Knight or Archer — is purchased, the cost of future units of the same type goes up, simulating the pressure of demand upon price. This design encouraged players to diversify their armed forces, in order to maximize their civilization’s buying power. By allowing the “values” of different paths and options to float during a game, designers present players with a constantly shifting landscape, extending replayability by guaranteeing no perfect path to victory.
However, if taken too far, efforts to auto-balance by tweaking the economy can destroy a game. In 2006, Valve conducted an interesting economic experiment within Counter-Strike: Source, implementing a dynamic weapon pricing algorithm. According to the developers, “the prices of weapons and equipment will be updated each week based on the global market demand for each item. As more people purchase a certain weapon, the price for that weapon will rise and other weapons will become less expensive.”
Unfortunately, the overwhelming popularity of certain weapons trumped the ability of the algorithm to balance the game. For example, while the very effective Desert Eagle skyrocketed to $16,000, the less useful Glock flatlined at $1, leading to some extreme edge cases (such as the pictured “Glock bomb”). A game economy is not a real economy; not everything can be balanced simply by altering its price. Gamers just want to have fun, and if the cost of the option considered the most fun is constantly tuned higher and higher until the price becomes prohibitive, players may not just alter their strategy—they may simply go play another game. The current price of gas may be making our real lives “unfun,” but only one real-world economy exists, leaving us no choice. Gamers are not in the same situation.
Ultimately, designers should remember that achieving perfect balance is a dubious goal. Players are not looking for another game like rock/paper/scissors, in which every choice is guaranteed to be valid, essentially encouraging random strategies. Players are motivated by reasons beyond purely economic ones when playing games. Raising the cost of a player’s favorite weapon is simply going to feel like a penalty and should only be done if the imbalance is actually ruining the core game.
Putting the Market Inside the Game
Perhaps a more appropriate use of economic dynamics is as a transparent mechanic within the game itself. The board game world provides some great examples of such free market mechanics at work. German-style games Puerto Rico and Vinci both use increasing subsidies to improve the appeal of unpopular roles and technologies, respectively. In the case of the former, every turn no player decides to be the Craftsman, one gold piece is added as a “reward” for choosing that role. As the gold increases slowly, few players will be able to resist such a bounty, which nicely solves the problem of making sure all roles are eventually chosen.
Puerto Rico still has some clearly better and clearly worse options—they just change from turn to turn based on the current reward. In this case, autobalancing actually keeps the game fun because players are rewarded for choosing less common strategies, instead of being penalized for sticking to their favorites. Perhaps more importantly, the effects of the market are spelled out clearly for the players ahead of time, so that no one feels the game is biased against them.
Perhaps the most elegant example of a pure free market mechanic based around actual resources and prices can be found in Power Grid, another German-style board game. In this case, players supply their power plants with a variety of resources (oil, coal, uranium, and garbage), all of which are purchased from a central market. Resource pieces are arranged on a linear track of escalating prices. Every turn, X new pieces of each resource are added to the market, and players take Y pieces away as purchases. As the supply goes up and down, the price correspondingly goes up and down, depending on where the next available piece is on the market track.
By making the supply-demand mechanic so explicit and transparent to the players, the market becomes its own battlefield, as much as the hex grid of a wargame might be. By buying up as much coal as possible, one player might drive the price out of the range of the player in the next seat, causing her to be unable to supply all her plants at the end of the turn, a disastrous event in Power Grid. Thus, with a true open market, price can be used as a weapon just as much as an arrow or a sword might be in a military game.
The Benefits of Free Trade
Similarly, a number of modern strategy games, including Sins of the Solar Empire and the Age of Empires series, have included free markets in which players could buy and sell resources, influencing global prices with their actions. These markets served as interesting “greed tests” in that players are often tempted to sell when they need cash or to buy when they are short on a specific resource, but they know in the back of their minds that each time they use the market, they are potentially giving an advantage to another player. Buy too much wood in Age of Kings, and your opponents can make all the gold they need selling off their excess supply.
Unfortunately, the market dynamics of these games tend to repeat themselves, with prices usually bottoming out once the players’ total production overwhelms their needs. This effect stems from the fact that the game maps emphasize economic fairness — in AoK, each player is guaranteed a decent supply of gold, stone, and wood within a short distance of their starting location. Spreading resources randomly around the map could lead to a much more dynamic and interesting market mechanic but at the cost of overall play balance for a game with a core military mechanic. If your opponents attack with horsemen, what if there is no wood with which to build spearmen, the appropriate counter unit?
However, a game with a core economic mechanic does not suffer from such limitations. In most business-based games, specializing in a specific resource is a basic part of the gameplay. Thus, a free market mechanic can become a compelling part of a competitive game. The ultimate example of such a game is the ’80s classic M.U.L.E., in which four players vie for economic dominance on a newly-settled world. Although only four resources exist (food, energy, smithore, and crystite), economies of scale encourage players to specialize. More importantly, players can rarely produce all the resources they need on their own, requiring them to buy directly from other players.
The game has a brilliant interface for facilitating this trade between players. Buyers are arranged along the bottom edge of the screen, with sellers on the top. As buyers move up, their asking price goes up accordingly. As sellers descend, their offer price decreases as well. When the two meet in the middle, a transaction occurs. Once again, the mechanic is explicit and transparent — player inventories and market prices are all clearly visible to everyone. Players understand that they either have to adjust their own prices to make a deal happen or hope that their rivals cave. Knowing how desperate another player might be to acquire the energy needed to power his buildings or the food needed to feed his labor, the temptation to pull every last penny from him is strong. In such a case, prices tend to fall only if the player is afraid someone else might sweep in to reap the profits. The game mechanic mined here by M.U.L.E. is deep and rich. Impoverishing one’s enemies can be just as much fun as destroying them.(source:gamasutra)