PopCap公司参与《宝石迷阵》开发的资深制作人马特·约翰斯顿（Matt Johnston），与Nexon美国公司市场副总裁Min Kim就各自的付费与免费商业模式进行了讨论。虽然这两个模式看起来不尽相同，但两人均赞同免费和更为传统的一次性付费方案都是可行的。Kim表示，过去人们曾认为免费游戏是“疯狂的亚洲个例”，在西方没有人会接受。但他的公司Nexon（游戏邦注：该公司总部设于韩国）开发的免费游戏如《洛奇英雄传》（Vindictus ）和《枫之谷》（MapleStory），已经能够做获取高额利润与吸引大量用户两不误，其所提供的附加内容的开支也很小。他补充道，西方玩家在免费游戏中的购买行为与在韩国并无本质区别。
索尼电脑娱乐美国公司的研发经理理查德·马克斯（Dr. Richard Marks）就游戏界面演变发表了自己的观点，据游戏邦了解，他曾参与PlayStation Move体感控制器的设计。
尽管有些人会期待PlayStation Move和微软Xbox 360 Kinect等新的控制器取代传统游戏手柄和操控模式，但马克斯表示，新的控制方法仅仅是为了弥补传统方法的不足而已，至少索尼公司的情况是这样的。他认为，已经成为一种时尚的体感游戏并不会取代现有的控制模式，它只会拓展目前市场的发展空间。
杰西·谢尔（Jesse Schell）是Schell Games公司负责人，他是去年将“游戏化”这一术语发扬光大的人物之一。他曾与资深业界人士及Zynga的首席设计师布莱恩·雷诺兹（Brian Reynolds）联手破译为何游戏化不是人们所期盼的全能解决方案。
DICE 2011: How Tradition Is Coexisting With New Gaming Trends
Game industry figures gathered at the opening of the 2011 DICE Summit in Las Vegas on Wednesday to debate some hot topic issues in the games industry such as free-to-play business models, new control interfaces and “gamification” of society.
But instead of heated knock-down drag-out arguments over the evolution of the gaming industry, speakers were fairly agreeable with one another and for the most part acknowledged that new ways of thinking can coexist with tradition.
Matt Johnston, senior producer at Bejeweled house PopCap Games joined Nexon America director Min Kim to weigh in on their respective pay-to-play and free-to-play business models.
And while the models may seem to be at odds, both Kim and Johnston agreed that free-to-play and more traditional single-pay schemes are both viable, depending on the game.
Kim said people used to think that free-to-play was a “crazy Asian thing that no one would ever adopt” in the West.
But his company, headquartered in South Korea, has been able to turn big profits and attract mass amounts of users worldwide who play Nexon games like Vindictus and MapleStory for free, and spend small amounts of money for additional content. He added that purchasing behavior in the West within free-to-play games isn’t really that much different from Korea.
Johnston, whose company offers free demos of games and sells the full titles for a one-time fee, said, “Free makes sense in certain context, I think.”
In PopCap’s case, however, the designers don’t create games with a microtransaction-based business model in mind. According to Johnston, game designers don’t really think about how the games are going to generate sales at all.
“At the end of the day we need to get paid for something because we’re a business,” he acknowledged. “ … There are other people [at PopCap] who get paid to focus on the business, and they might get frustrated with our [designers’] lack of concern in that area.”
He continued, “I just prefer and favor a design-in-a-vacuum thing where a group of designers can make their game and not consider [business models].”
With PopCap’s try-before-you-buy model, once a customer buys a game, that’s it – the company won’t come knocking for any more money for that game. “…The friends that ask me for money over and over again, I’m not friends with them anymore,” Johnston said in a reference to microtransactions.
“I don’t like having those transaction points in the game,” he said. “I think it breaks you out of the experience.”
And while the one-time-buy model works fine for PopCap, it wouldn’t be beneficial for such an online and community-focused company like Nexon, said Kim. “If you’re going into the connected space … I do believe free is the superior model,” he argued.
“I think game developers just need to make good games,” Johnston added.
The Future Of Interfaces
On hand to talk about evolving gaming interfaces was Sony Computer Entertainment America R&D manager Dr. Richard Marks, who helped design the PlayStation Move controller.
While some might expect new controllers like the Move and Microsoft’s gesture-based Xbox 360 Kinect to eventually usurp traditional game pads and control schemes, Marks said at least in Sony’s case, new control methods are only meant to supplement existing ones.
“I’ve heard [motion gaming] called a fad. The thing is it doesn’t replace existing control schemes,” he said, rather it “augments” current control offerings. “I think [motion control has] just grown the space of what the market is right now.”
Intel senior scientist Beverly Harrison added, “I don’t think [all future interfaces] will just be gesture-based,” she said. As the mouse and keyboard still exists, there will just be additional interfaces that will be used alongside established interfaces.
Just as hobbyists are tinkering with different ways to use the Kinect, innovation in gesture-based applications will come from the fringe, she said. “There are lots of different things people are experimenting with out there. … I think that’s where new uses will pop up.”
Jesse Schell, head of Schell Games and one of the reasons the term “gamification” has become more prevalent over the past year, joined industry veteran and Zynga chief designer Brian Reynolds to decode fun, pleasure and why gamification isn’t the all-encompassing solution that people have made it out to be.
Schell, who said someone aside from him made up the term “gamification,” defined it as “taking something that’s not a game, and making it into a game.” Reynolds described it as taking game elements and applying them to something to “make people do something they don’t want to do.”
Gamifcation could theoretically be applied to anything from marketing to personal hygiene, Schell said. Making someone do what they don’t feel like doing is a powerful ability.
But Schell said that people have gamification all wrong – you can’t just shoehorn a few game-like elements into anything to “gamify” it effectively, he argued. He compared gamification to adding chocolate to different foods.
Chocolate is a good thing and might be great on ice cream, but it’s probably horrible on cottage cheese. “It’s like no, no!” said Schell. “That doesn’t work. You have to find something that resonates, and brings out its essence.”
Reynolds headed off any implication that Zynga’s games like FrontierVille or FarmVille are just “gamified” social frameworks that are engineered to make people do something they don’t want to do – part with their time and money.
“The difference between Zynga’s philosophy and gamification is that gamification … tries to make you do something that you don’t want to do,” he said. But he said Zynga is an entertainment company that tries to provide content that at its core is fun and social, then charge for that experience. Playing Zynga games is something people want to do, he said.
“There’s obviously some very positive reason that millions of people play social games,” added Reynolds. “I think what it is is that human beings are social animals. We’re wired to socialize.”
Schell said, “Social games facilitate a type of gameplay that was impossible five years ago” in that they are games that you can play “every damn day” at work and interact with friends.
“Games are becoming more and more woven into people’s lives,” he said.（source:gamasutra）